Guest Posts
Guest Post: The Life of a Literary Slave by Sascha Illyvich
Today, please welcome a special guest to KindleVixen – a man who totally makes me blush on a regular basis on Twitter. Sascha…. take it away
Story Basics
By Sascha Illyvich
Each story, be it short and simple, or of novel length has the same basic qualities. Great conflict, strong plot, memorable characters, and a decent ending.
Let’s start with the characters. We need real people. We need active people, boring people, sexy people, devious people. You name it, we need it. Even moreso with sex writing, because without memorable characters, our work is nothing more than stroke fiction.
The best resource I have for creating characters come from my mentor, Morgan Hawke.
She uses a very straightforward character creation sheet.
Designation: Action Driven/Emotionally Driven/Motive Driven
Motive (Emotional need): This is what the character NEEDS
Goal (Physical need): This is what the character thinks they WANT
External Conflict (physical):
Internal Conflict (emotional):
Positive Trait:
Negative Trait:
Fatal Flaw:
Secret:
Epiphany (what will they learn; how will they change?):
The only other thing you’ll really need to start with is a physical description. This is short and simple for a reason: In most of our stories, we’re only dealing with the character growth so a back story is nice but should be kept to a minimum and used to flesh out the story in the appropriate areas.
Conflict. What is it? What does it do? Why do we need it? This word is the crux of all of our problems as erotica writers. The conflict here in erotica is HOW to get A and B together to bed. In Erotic Romance, the conflict is driven by their needs/goals AND sex is an integral part of that.
This gives our characters depth.
There are two types of conflict, and when used properly, they can make your story come jump off the page. Internal conflict deals with the character and the choices s/he makes as well as dealing with the consequences. Imagine our hero having watched their lover get murdered. Never mind the reason why, but we see our hero with nothing to live for, until someone new shows up in their life. Does the hero react openly? Are they friends? Can our hero get past the fact that if he takes a new lover that she might end up dead? That’s internal conflict. Our hero has to battle inner demons. We’ve all been there.
Now, external conflict has to do with things on the outside. We spot this easily in many contemporary romance novels today. Rich guy, poor girl, he’s educated, she’s busting her ass to put herself through school, etc.
Keep plenty of both conflicts in our work and we’ll have work that shines, IF our plots can hold them. That’s an entirely different article. In fact, slews of books have been written just on the subject of plot alone. For now, I’m only touching the basics.
Plot is essential to any erotic story because without it, again we have a flat story about two characters we care less about who may have sex. Plot answers the basic questions of who, what, when, why and how. In erotica, this is more important in my opinion than in standard fiction, because without strong plot, even for short stories, we tend to get labeled as writing smut. Nothing wrong with that, but smut is boring, unless you’re looking for stroke fiction which can be purchased a dime a dozen. No real money there.
Obviously, I could go into more extensive methods of creating plot but there’s really no need.
www.writesex.net – A blog defining erotica for authors of all genres. We’ve covered tips, technique, mediums of publication, the business end of things, all with specialized knowledge shared by M. Christian, Jean Marie Stine, Oceania, Thomas Roche and myself. Updated every Thursday.
www.FictionAddiction.net – Fiction Addiction.NET is a great resource for general writers, and I even have a few articles there which we’ll cover in upcoming sessions.
www.erotica-readers.com – The Erotica Writers and Readers Association. A great resource for erotica writers, with market listings, writing articles, book reviews and more!
www.absolutewrite.com – Absolute Write. Look for Katy Terrega’s specialized column on writing pornography. She also maintains a few how to websites and an impressive newsletter for the struggling writer.
I’m adding my own blog: http://whitewolfwriting.blogspot.com here because I often share tips and resources for writing/plotting on my personal blog.
Those three links should get you started. I also use Google for a search engine, it’s fast, easy to use and is the most efficient search engine I’ve found so far. And again, these are just the basics. These articles are intended for beginning writers or pornographers. Keep that in mind and use them as springboards for your crafty, erotic stories. And good luck!
Sascha Illyvich
http://www.saschaillyvich.com – I write stories so hot they must be whispered
http://www.radiodentata.com – Listen Mondays at 1 PM for the UnNamed Romance Show – discussing the latest in the industry
Guest Post: The Mighty Buzzard talks Ebooks and Pirates
And before you even say it, no…. we are not talking about the sexy pirates. Tho I do love a good sexy pirate… especially if he is all scruffy and can talk with an accent of some kind….. hmm pirates… *dreamy look*
Anyway, before I get distracted by the idea of sexy pirates, let me say I am very happy to have a special guest posting here at KindleVixen today. The Mighty Buzzard graciously agreed to stop by and talk about ebooks with me. I am sure you are all tired of hearing me rant and rave on twitter about them and the new Agency Pricing Model that is looming over our heads today. The Buzzard brings up some great points, if only the publishers would listen. So thanks to him for being here…. take it away sexy techy dude… (I love a man who can make use of a good formula).
There’s been a lot of chatter lately about REP. It’s gotten me to thinking about ebooks in general and piracy. Now I could go off on a rant but I’ve been coding a lot lately, so I’m going to go for logic this time even though there’s been no evidence that publishers are swayed by things like that.
Publishers, you are competing with piracy. It makes no difference that you have legal right to distribute the material and they don’t, they’re still competition. Further, they’re not going away. If the RIAA and MPAA combined can’t do a damned thing to even slow piracy, you’re certainly not going to with much shallower pockets. You have to offer more value than pirates if you want to make a sale.
Let’s have a go at the math behind this nebulous term “value”. Start off with the value of the content of an ebook to the customer (Its value to you doesn’t matter. At all.), call it $C for content. We also need to value the convenience of the distribution method for the customer, call it $E, because their time and effort is valuable to them. We’ll need to valuate any moral repulsion they have to violating copyright and not contributing anything to the author (Yes, only the author. Customers don’t give two shits about publishers.), call it $M. Of course we need the price of the book, $P. Because you seem to want to use the hell out of it lately, set $F equal to the fear of jail/lawsuits. Conversely, there is the defiance of heavy-handed methods that the user feels, or $D. One last bit, cross-title (hopefully) targeted advertising on the site of purchase, $A. Believe it or not, this last one does have value to the customer as well as to you; they want to be able to find other books they’d like.

So we have for publishers legit distribution chanels:
$C + $E + $A – $P – $D = total value to customer
and from piratical channels:
$C + $E + $A – $M – $F = total value to customer
Recognize that since we have factored in morals and fear, the customer will be going with the choice with higher value every single time. Now $C is the same value in both channels, so we can effectively discount it for this discussion but you should keep in mind that it exists when considering the math of release windows because you set $C to zero if you don’t release what the customer wants before the pirates.
In $A, you should have an incredible advantage over piracy but you seem to not want to invest much into it. So you have only a very small advantage that you could lose at any time.
Using $F as a method of devaluing piratical distribution channels hasn’t worked very well for movies or music. Do you assume that you have some innate attribute that will cause it to work for you? Einstein defined insanity as doing the same thing over and over again and expecting different results. But let’s assume a very small positive value here just for argument’s sake even if it will increase $D for a good chunk of potential customers.
Experience has shown that you can increase $M by getting authors to connect positively with their fans. Negative comments from authors or publishers have no effect on $M and serve only to increase $D. Always. Every. Single. Time.
Increasing $E is the most important place you really should be able kick the hell out of the pirates but you’ve instead chosen to let them have an overwhelmingly commanding lead because of the need to control the material through DRM and exclusive hardware. People want to be able to get a book in a click or two and they’d like to be able to shift format for use on their device of choice. Forget control. It’s an illusion. You never had it and you never will. Worry about your total value to customer. If it’s higher than the pirates’, you will win.
Lastly, there’s $P. Pirates will always have the advantage over you here, what with $P being zero in their case. So, tell me, how does increasing $P, thereby decreasing your total value to customer, help you compete?
I’m not going to bother summarizing. I don’t feel like going back through all that and shortening it to fit in one paragraph. Make yourself some bullet points or an outline or something. Office guys like that kind of crap.
~The Mighty Buzzard




